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If 1997 had seen some fractures, 1998 saw a whole pile of broken bones!
A bleak year for the songwriter!
Imagine the bones
lying in a neat pile on the floor of an anodyne apartment - on the floor
because they couldn't get it together to haul themselves up on to the
sofa - or imagine sitting on the edge of your bed taking a call from
"that girl" with the "end of the world as we know it" message - right in
the middle of writing "Dream Goodbye to You" - it might not have been a
suicidal place, but you could see one from it.
Actually, abject
desolation is just the ticket for a damn good "content" album,
although this has some surprisingly upbeat and "hooky" numbers
on it.
It also marked a
totally new line up - Neil and Marky getting together with Marky's mates
Andy on keyboards and Simon on bass. And then there was Chai, the
girl from Singapore who had a physiological explanation of love and from
whose flat in South Ken I emerged before the studio session...
Fortunately there was
sufficient anger and a dollop of "sod you then" to avoid this
album becoming a Leonard Cohen CD!
Well, as the back
cover says: "Sayonara 1998 - don't come back…".
By the way the
stepped-on dog poo is plastic. We scoured Battersea Park but you just
can't get quality dog poo on the streets anymore…
Incidentally, let's
give credit to Ideal Mastering in London for mastering a good bit of The
Hamptons work (thanks to Mark and Ali).
1999 was an altogether different
proposition…
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